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The Atlanteans: Part One and Two

Typed by Mykey through the Interdimensional Portal

Date : 25/12/2008

The Appearance and Physicality of the Atlanteans:

The Atlanteans’ ‘skin’ consisted of ‘scales’ that were primarily light-blue to light-grey and white in shading.

When standing in the sun – their ‘skin’ would project a resonating gleam of all the colours of the rainbow – as though the colours itself were alive and dancing upon the surface of the Atlanteans’ body.

Interestingly enough – their skin wasn’t ‘wet, slimy and coarse’ as one would expect the texture of a ‘skin of scales’ to be.

Rather – their ‘skin of scales’ was as soft as silk and as smooth and moist as butter to the touch.

Their physical body did not have any ‘bone structure’ whatsoever. Their physical form existed of meat and sinew only, and was as stable and strong as concrete itself, yet at the same time as flexible, formidable and graceful in movement as water itself.

The experience of looking into their eyes was as looking into a ‘mini-dome’ filled with crystals as their eyes shone the colour of resonating light; crystal blue and white. Giving a ‘descriptive perspective,' it was as though their eyes were the manifestation of the stars of the universe.

When one looked into their eyes – for a moment, everything else disappeared and all that existed in that moment was you looking into the embodiment of the universe of the stars as the eyes of the Atlanteans – seeing into the vastness of infinity embodied as manifested eyes. This was the experience when looking into the eyes of the Atlanteans – completely overwhelming one, removing all sense of ‘reality’ as one is mesmerized by infinity as their eyes.

Hence why some experienced it quite intimidating standing before the Atlanteans and looking them straight in the eyes. For the experience was as them being able to see every part of you, where nothing of you was hidden, where no secret could be from them; as they see you as all that you are as you stand before them. As you see them in their infinite expression manifested as their eyes.

Their ears weren’t positioned next to their head-region – just below the ‘temples’ as with human beings. Instead, their ears were manifested upon a section that was positioned upon their forehead/face-region and manifested just above, yet right next to their eyes.

This ‘section’ formed from the centre of their forehead-region to just above their eyes – this entire section ‘protruding’ from within their forehead/face-region, elevated to sit on top of the forehead/face region from which the ears of the Atlanteans emerge.

Therefore, the Atlanteans ears ‘emerge’ from within this ‘section’ that is manifested on top of the forehead/face region situated just above the Atlanteans’ eyes.

The 'form’ of the ears itself was that of taking both your hands before you, straightening your fingers and bringing your wrists together – meaning, a ‘slightly cupped v-shaped form.’. And the ‘rims’ of the ears were formed as manifested ‘sound-waves’ as follows:

The rest of the physical-form of their ear's surface also forms according to the rim-formation of the ears as the manifested form of ‚sound-waves.‘ The ears itself are quite large in comparison to the rest of their head-region – though has a specific ‘function’ that forms ‘partial support' the Atlanteans within their particular expression with water and sound that will be discussed as we continue within this document.

Their mouths and lips were quite petite yet similar in design as that of human beings’ lips and they had neither teeth nor tongue. Instead, within the centre of their mouths was a manifested ball of ‘sound movement expression’ that consisted of and existed as the ‘one manifested expression of all the sounds of existence’ together.

The rest of their mouth's inside was pitch-black with this ball of sound movement expression as the one manifested expression of all the sounds of existence together existing as all the colours imaginable and unimaginable – situated right in the centre of their mouths. And it is from within this sound-manifestation in the centre of their mouths that they’d direct themselves to speak as within voicing themselves, as well as creating/mani­festing with water and sound.

Their hair was silvery white in colour and would swish and dance in ethereal-like graceful movement as though ‘coming alive’ in itself when the Atlanteans would walk. Therefore as the Atlanteans would walk, their hair would move in motion to the movement of their walking – their hair the motion that supports their physical movement in expression.

They never used their arms when walking as humans do – they would walk with both arms in front of their body with their thumbs and index fingers forming a diamond-shape form. With their thumbs pressed together and their index-finger tips pressed together that form the diamond-shape, with the rest of their fingers aligned straight with their hands positioned in front of their ‘hip-area.'

Their physique, movement and expression as their physical form were the epitome of perfection. They were not separate from their physical form as with human beings, with ‘a being in a physical form’ wherein the being is separate from the physical-form they inhabit. They were their physical form absolutely as though it was their physical form that was the ‘life,’ that was ‘alive’ in itself; this was very distinct and prominent within the particular expression of the Atlantean-race.

For example, imagine your human physical body existing, living and expressing itself in awareness without your presence as the mind, with your human physical form as manifested life itself – living, existing as expression; this is how I’d describe the expression that was the Atlanteans one and equal as their physical form. Their physical form was very tall, long, slender and fine-tuned – I would describe the physical form and expression of the Atlanteans in such a sentence: ‘God spending most of his time on the meticulous creation of the existence that is the Atlanteans to absolute perfection, specificity and preciseness.'

Their hands and fingers were as long, slender and fine-tuned as the rest of their physical form – though did not have ‘nails’ in particular. Their fingers emerged from their hands as one expression as their fingers form from within their hands to end as sharp-pointed tips which was used for a particular function that I will discuss as we continue.

Their entire physical form consisted of ‘scales’ except for their hair and the sections below their hands and feet that consisted of myriads of small ‘suction and release’ embodiments’ – almost unnoticeable, similar to what as seen with that of the Octopus, which assisted and supported with movement and walking on water with their feet and creation and manifestation with water and sound with their hands and fingers.

These ‘embodiments’ below their feet would literally ‘breathe in and breathe out’ as/while the Atlanteans would walk on water.

The split-second before the Atlantean would place their foot upon the surface of the water to walk upon it; the ‘suction and release embodiment manifestations’ ‘breathed in’ the water surrounding the surface of the foot and merge with the water. The merging of the ‘suction and release embodiment manifestations’ with the water surrounding the foot would then form a ‘platform’ on the surface of the water that is merged with the foot, with and of the water itself, upon which the Atlanteans would ‘step’ as they’d walk on the surface of the water. The moment the foot is lifted off of the surface of the water, the ‘suction and release embodiment manifestations’ below the foot ‘breathe out,' releasing the water that was ‘sucked in’ to form the manifested platform with water upon which the Atlantean stepped. And so the process of ‘walking on water’ would manifest as the ‘suction and release embodiment manifestations’ supported the Atlanteans’ walking on water.

When not ‘walking on water’ with their feet and not ‘playing with the creation and manifestation of water and sound’ – the ‘suction and release embodiment manifestations’ upon the bottom of their feet and hands would extract into their feet and hands to form ‘scales’ as the Atlanteans would be able to extract and protrude these ‘suction and release embodiment manifestations’ upon their hands and feet when required, at will.

Their neck, lower stomach-region, wrists and ankles consisted of ‘strings or threads’ of ‘meat and sinew’ that consisted of and as the exact same manifestation as that of the rest of their physical bodies.

For example, as though their head were ‘severed’ from their body and attached/connected to each other with such ‘strings/threads of meat and sinew’. Though the ‘strings/threads of meat and sinew’ come from within and of their head region and their chest region that ‘connect’ their head to/with the rest of their body and so also the case with their lower stomach-region, wrists and ankles.

So, instead of having manifested ankles, wrists, lower stomach-region and neck – it consisted of strings/threads of meat and sinew, the ‘strings/threads’ as I have explained, consisting one and equal as the exact same manifested expression as that of the rest of their physical bodies, and were as stable and strong yet flexible and formidable as the rest of their physical-bodies.

This particular design of the Atlanteans’ physical form of ‘strings/threads’ along with their sharp-pointed tipped fingers, the ‘suction-embodiments’ upon the bottom-section of their hands and the particular design of their ears was specific for and of the support of the Atlanteans’ particular expression of creating and manifesting with sound and water.

Within the centre of their forehead, upon the section from which their ears emerge, the ‘section’ manifested upon the forehead/face region; was a crystal. This crystal, was the ‘manifested symbol’ as the ‘manifested embodiment’ of the existence and expression of the Atlanteans as Water and Sound. As crystals were the ‘sound-symbol’ manifested expression of water and sound together – as that which the Atlantean existed as, as their primary ‘life force expression’ which was: Water and Sound.

The Atlanteans particularly expressed themselves within the creation and manifestation of crystal-formations as manifested ‘sound-symbols’ in various formed expressions. Such manifested expressions of/as crystal-formations that is manifested ‘sound-symbols’ created from water and sound was done with the support of their particular physical-form design of the ‘strings/threads’ along with their sharp-pointed tipped fingers, the ‘suction-embodiments’ upon the bottom-section of their hands and the particular design of their ears as well as this manifested crystal upon their forehead.

Within Part Two – we’ll continue with the The Appearance and Physicality of the Atlanteans section and how their physical form's ‘functionalities’ assisted and supported within their particular expression of creating and manifesting with sound and water the manifested sound-symbols and/as crystals.

The Appearance and Physicality of the Atlanteans (Continued):

We’re continuing with The Appearance and Physicality of the Atlanteans section and how their physical form ‘functionalities’ assisted and supported within their particular expression of creating and manifesting with sound and water – manifested sound-symbols and/as crystals.

Firstly, the Atlantean would walk to a spot far into the ocean of their Planet where they’d be absolutely alone with only themselves – with the experience of themselves being completely alone on their Planet – only the Atlantean and the ocean as the vast waters below them as they stand in and as the silence of aloneness.

They’d stand upon the surface of water with the support and assistance of their ‘suction and release embodiment manifestations’ (which, from here forth I will be referring to as ‘suction-release tubes’) upon the soles of their feet – absolutely stable, as though standing upon land, not wavering, no movement – absolutely still as a statue exalted upon water, as they become the physical embodiment of silence through and through in/as the aloneness they become and manifest as.

Then, a sound emerges that expresses not only from their mouths…no.

The Atlanteans manifested the entirety of themselves as this one sound, a singular resonance that they had chosen to express as themselves as their entire physicality.

Their entire physical shading transformed in colouring from ‘light-blue to light-grey and white’ to the particular ‘colour-identification-expression’ of this one sound they had chosen to become, express and manifest as, as the ‘preliminary preparation’ for the creation of a manifested sound-symbol as crystal.

Therefore, with each sound or sounds (either one singular sound is utilized within the creation of a manifested sound-symbol as crystal from water and sound or two or more or all sound of existence together) expressed/utilized as what the Atlantean becomes/manifests as/expresses – the Atlanteans’ entire physical shading would transform into the colouring the sound or sounds represents. This being the indication of the successful transformation of the Atlanteans’ complete and total becoming of the embodiment of such particular sound/sounds one and equal.

The ‘selection’ of a particular specific sound or sounds is a natural directive principle of the Atlantean Race.

From the ‘ball of sound movement expression’ as the ‘one manifested expression of all the sounds of existence’ together situated within the centre of their mouths – with their entire being, they would simply ‘pull a singular sound-string/strings’ from within the ‘ball of manifested sound-expression.'

This ‘selection’ done within their awareness of the existence of each sound that exists within and as them within this ‘ball of manifested sound-expression,' manifested within the centre of their mouths.

Meaning that they were ‘self-aware as each sound’ manifested within and as them, and could thus ‘select’ particular specific sounds to become and manifest as for a moment as their entire being and physicality one and equal as the specific sound/sounds selected for the preparation of the creation of manifested sound-symbols as crystals from water and sound.

The moment the Atlantean becomes this one sound selected as the entirety of themselves both in beingness and physicality one and equal – wherein the experience is as though this one sound is all that exist and is all that is heard as its now manifested as, in and as the embodiment of and as an Atlantean: The Atlantean as sound begins further preparation for their interestingly fascinating unique expression. Another way to describe the ‘becoming of the Atlantean as sound/sounds’, is – that the Atlanteans are ‘the carriers’ or ‘bodies’ for sound to manifest within – so that sound can express itself ‘to life’ within and as and through the physical body of the Atlantean – wherein the Atlantean for a moment ‘give themselves up’ for a sound or sounds to ‘integrate and amalgamate entirely and completely’ as the being and physicality that is the ‘Atlantean’ and unconditionally express in manifestation with the support of water that is in actuality: Manifested liquid sound.

Therefore, the sounds of the ‘ball of manifested sound-expression’ were ‘the pure frequency resonance’ of the sounds of existence. Water – the ‘ocean of water’ of the Atlanteans’ Planet – the only Planet upon/within which water existed, was ‘liquid sound’ – sound ‘liquefied’ through duplicating sounds and compacting and intertwining them in such a way that they form a ‘liquid’ = this is ‘water.’

With the Atlantean now successfully manifested, one and equal, as this one sound-expression – the next phase of preparation begins:

They position their arms and hands so that their arms and hands are straightened to be aligned parallel above the surface of the water within absolute precision. Then, they’d ‘bring forth’ the ‘suction-release tubes’ from within the surface of their hands and fingers as the scales that were there a moment ago, transform into the manifestation of the ‘suction-release tubes.'

With the support and assistance of the ‘suction-release tubes’ within/upon the surface of their hands and fingers – they’d with their hands and fingers as the ‘suction-release tubes’ – ‘breathe in water’ as water is sucked into their hands. This done through the Atlantean taking directive principle and literally ‘breathing in the water’ into and as them through the ‘suction-release tubes’ upon/within the surface of their hands.

The experience being as though the Atlantean is ‘calling the water to them’ through their hands to integrate into and as them entirely and completely through the ‘suction-release tubes’ upon/within the surface of their hands – and the water ‘answering their call’ as the water slowly, gracefully come ‘alive’ and start rising up – infiltrating into and as the Atlantean through the ‘suction-release tubes’ upon/within the surface of their hands.

This process will continue, slowly, certainly and precisely until the Atlantean is satisfied that every single minute detailed part of their entire physicality is merged, amalgamated and infiltrated with and as water itself. The moment this integration of water into and as the Atlanteans’ physicality entirely and completely, is complete – the water that had risen up into and as the hands of the Atlantean through the ‘suction-release tubes’ upon/within the surface of their hands – would slowly but surely retreat into itself within the vastness of the ‘ocean of water’.

With the Atlantean being one and equal as their physicality – not existing separate from their physical form as I have explained – they within and during the procedure of the water integrating, amalgamating and merging with and as their physicality entirely and completely – become one and equal as the manifested embodied expression of water itself wherein they as the sound as the water merge as one expression wherein the sound and water becomes one manifestation equal as the physical expression of the Atlantean.

And so the sound as what the Atlantean is, with the water as what the Atlantean exist as in that moment – is now readily prepared to begin their expression in and as and through the physical form of the Atlantean as follows:

The following occurs ‘extremely fast’ – almost instantaneously – as the Atlantean that one moment stood absolutely still as the silence of aloneness as a statue exalted upon the surface of water – transform into an array of simultaneous movements as their physical form is moved/expressed into various directions all at the same time, changing into one manifested ball of movement.

During the Atlantean, suddenly manifesting as a physical ball of simultaneous movements in an array of various directions all at the same time: the Atlantean release the water and one sound that merged as one and equal in and as the physical form of and as the Atlantean, through their hands from the ‘suction-release tubes.'

As the water with sound one and equal manifested within and as the physical form as the Atlantean release through the Atlanteans’ hands through the ‘suction-release tubes’– they utilize their sharp-pointed tips of their fingers – to with the water and the sound within and as the water – ‘draw’ the sound-symbol manifestation of the sound within and as the water of the Atlantean – to manifest as a crystal.

This entire manifested expression of/as the Atlanteans with sound and water as themselves that release through their hands, together with their simultaneous movements in an array of various directions all at the same time, with the movements assisted and supported by/through the strings/threads as their neck, wrists, ankles and lower stomach region – together with their sharp-pointed finger tips drawing the sound-symbol manifestation of/from water as the sound they manifested themselves as – all this happening in such an instantaneously fast moment – that it is as though the crystal manifested from this expression of the Atlantean with and as water and sound = is as though the manifested sound-symbol crystal appeared out of nowhere.

The entire experience is: the sound the Atlantean becomes – expressing through and as the physical within such various arrays of instantaneous movements in a spectacle of directions – with water as the sound’s ‘platform’/ ‘canvas’ – utilizing the physical to ‘bring itself into being’ through creating itself within drawing its own shape with water – bringing into creation itself as a manifested sound-symbol crystal of water and sound.

This being the particular specific expression of the Atlanteans as they create manifested sound-symbol crystals of water and sound they become – and also how they’d manifest/create their ‘homes’ – both above water, beneath the water and on land = which we’ll discuss further within The Planet and Civilization of the Atlanteans topic further within this document.

They could manifest various sound-symbol as crystals from one singular sound with water – and could create/manifest the exact same sound-symbol as crystal from one singular sound over and over and over again with exact precision.

The moment the crystal is complete – they’d either utilize it to further the development of their homes or they’d in that moment release the crystal to transform once again to its original expression of water – as the crystal ‘releases itself’ through resonating its sound to such a pitch – that it ‘melts’ into and as its original form as water – and the one sound it was created from – resonate throughout their planet as one sound.

This particular form of sound-expression is when the Atlantean would completely unconditionally allow to express one sound – wherein they ‘give themselves over’ to this one sound or many sounds – and allow the sound itself to express through them with water as its platform/canvas – to manifest itself as a sound-symbol crystal through the physicality of the Atlantean.

Or – the Atlantean would take a particular directive principle – decide on a particular specific shape of crystal required – manifest themselves as the sounds required to bring forth such a particular specific shape into creation – and accordingly go through the process described above – and move with their physicality with the support and assistance of the strings/threads as their neck, lower stomach-region, wrists and ankles and draw with their sharp-pointed finger-tips – the particular specific shape required with water and sound – and accordingly manifest the crystal required.

Within the next section we’ll continue with The Nature of the Atlanteans section.

MyKey